The score here only implies my personal judgment and subjective sentiment. For example, I would probably score lower or stop further reading for incomprehensible poems or poems of blank verse and score higher for poems I love. Moreover, I could accept rhymed lines with irregular word counts, but I abhor the abrupt line break within an integral phrase for the sake of rhyme.

Interestingly, I often feel reading poems before 19 century is confusing and painful especially those concerned with religion, tales or substandard English.

I suppose there exists an impossible triangle of a poem:

Clearness
Soundness: in terms of breaks, meters, rhymes and tones
Lengthiness

1914: 6/9.

The author reminisced about the past glory of Europe and deplored the current tragedy caused by World War I.

A Bard’s Epitaph: 7/9. The author’s self-abasement is impressive.

In low pursuit:

Know, prudent, cautious, self-control Is wisdom’s root.

A Bird Came Down: 4/9.

The upper half describing the bird is cute, but I fail to see the connection with the ocean in the lower part.

A Book: 6/9.

There is no frigate like a book To take us lands away, Nor any coursers like a page Of prancing poetry

A Canadian Boat-Song: 5/9.

A Child’s Grace: 1/9.

A Christmas Carol: 2/9.

A Cloud withdrew from the Sky: 3/9.

A Coffin — is a Small Domain: 6/9.

A Coffin — is a small Domain, Yet able to contain A Citizen of Paradise In it diminished Plane.

A Complaint by Night of the Lover not beloved: 4/9.

A Dirge: 3/9.

A Ditty: 4/9. silly ditty on love

A Ditty: 1/9.

incomprehensible

A Dream of the Unknown: 4/9.

secret garden

A Drinking Song: 4/9.

A Dying Tiger — moaned for Drink: 1/9.

incomprehensible

A Farewell to the World: 4/9.

A Forsaken Garden: 7/9.

The dilapidated sense is impressive.

A Garden: 3/9.

obscure

A Gest of Robyn Hode: 0/9.

incomprehensible

A Grammarian’s Funeral: 1/9.

incomprehensible

A Hunting Song: 4/9.

A Hymn for Christmas Day: 3/9.

obscure

A Hymn to God the Father: 3/9.

obscure

A Jacobite’s Epitaph: 2/9.

obscure

A Lament: 4/9.

A Lesson: 4/9. Bad lack

O Man! that from thy fair and shining youth Age might but take the things Youth needed not!

A Little Boy Lost: 1/9.

A Little Girl Lost: 0/9.

Piecing together the rhymes to a nonsense is a cardinal crime for a poet.

A Love Song: 4/9.

A Lover and His Lass: 3/9.

A Lover’s Lullaby: 4/9.

A Man’s a Man for A’ That: 0/9.

What’s “a’That”?

A Match: 5/9.

A Musical Instrument: 3/9.

A New Heaven: 4/9.

A Nymph’s Passion: 4/9.

A Passing Bell: 2/9.

A Passion of my Lord of Essex: 4/9.

Is it a dirge?

A Psalm of Life: 8/9. masterpiece

Life is real! Life is earnest! And the grave is not its goal; Dust thou art, to dust returnest, Was not spoken of the soul. Not enjoyment, and not sorrow, Is our destined end or way; But to act, that each to-morrow Find us farther than to-day. Art is long, and Time is fleeting, And our hearts, though stout and brave, Still, like muffled drums, are beating Funeral marches to the grave. In the world’s broad field of battle, In the bivouac of Life, Be not like dumb, driven cattle! Be a hero in the strife! Trust no Future, howe’er pleasant! Let the dead Past bury its dead! Act, — act in the living Present! Heart within, and God o’erhead!

Let us, then, be up and doing, With a heart for any fate; Still achieving, still pursuing, Learn to labor and to wait.

A Red, Red Rose: 2/9.

A Renunciation: 4/9.

A Satire: 3/9.

A Sea Dirge: 2/9.

A Serenade: 4/9.

A Song to David: 3/9. I’m allergic to this religious and verbose song.

A Supplication: 4/9.

A Supplication: 2/9.

A Sweet Disorder: 1/9.

A Thunderstorm In Town: 7/9. cute

A Toccata of Galuppi’s: 4/9.

A Wet Sheet and a Flowing Sea: 6/9.

Though it rhymes not perfectly, the context is enjoyable.

A White Rose: 5/9. Cute

A Widow Bird: 4/9.

A Winter Night: 2/9.

A Winter’s Tale: 4/9.

A Wish: 4/9.

Abou Ben Adhem: 2/9.

Absence: 7/9.

Landor’s poem is amazing.

Abt Vogler: After He Has Been Extemporizing Upon the Musical Instrument of His Invention. 3/9. obscure

Sorrow is hard to bear, and doubt is slow to clear, Each sufferer says his say, his scheme of the weal and woe; But God has a few of us whom he whispers in the ear

Address To A Haggis: 1/9. incomprehensible Scotland English

Admonition to a Traveller: 3/9.

Adonais: 6/9.

The poet’s great imagination shows his deep affection towards the hero, but I found some lines broke abruptly just for the sake of rhymes.

Ae Fond Kiss: 6/9. If the English could he has written in a more standard manner, I would have received a better reading experience.

Had we never loved so kindly, Had we never loved so blindly, Never met—or never parted— We had never been broken-hearted

Aeneas in the Underworld: Book VI: ?/9. lengthy and incomprehensible

why did the publisher extract such a long excerpt without explanation about its background? DNF

After Blenheim: 6/9. A poem on anti-war

Agincourt: 4/9. a war?

Ah! Sun-Flower: 5/9. I don’t understand the lower part.

Ah, Are You Digging On My Grave?: 5/9. Comedy: A female ghost wondered who dug her grave and she guessed.

Spoiler: Her dog did, but not out of fidelity but out of hunger.

Airly Beacon: 5/9. a journey

Alexander’s Feast: 5/9. Although I knew nothing what the poet was talking about, it had wonderful images.

Alexis, Here She Stayed; Among These Pines: 4/9.

All Day I Hear the Noise of Waters: 8/9. melancholy and loneliness

all day I hear the noise of the waters ** making moan ** , sad as the seabird is when, going ** forth alone ** , he hears the winds cry to the water’s ** monotone **

the gray waters, the cold winds are blowing ** where I go **. I hear the noise of many waters ** far below **. all day , all night , I hear them flowing ** to and fro **.

All for Love: 4/9.

Amantium Irae: 3/9.

I don’t understand “the falling out of faithful friends renewing is of love” even after reading through the obscure poem that clearly shows a scrabble of rhymes.

Amiens’ Song: 5/9.

most friendship is feigning , most love mere folly : this life is more jolly

Amours III.11: ?/9.

incomprehensible Please correct their spelling to accord to today’s standard before publishing.

Amours: I.1. ?/9.

incomprehensible

Amours: I.9. ?/9.

incomprehensible

An Ecstasy: 6/9.

should tender in exchange their shares of land I would not change my fortune for them all their wealth is but a counter to my coin the world’s but theirs; but my beloved is mine

An Essay on Man: Epistle I — Of the Nature and State of Man, with Respect to the Universe. 5/9.

Heaven from all creature hides the book of fate All but the page prescribed, their present state The lamb thy riot dooms to bleed today Had he thy reason, would he skip and play … He who through vast immensity can piece see worlds on worlds compose one universe observe how system into system runs what other planets circle other suns what varied being peoples every stars may tell why heaven has made us as we are.

An Essay on Man: Epistle II — Of the Nature and State of Man with Respect to Himself, as an Individual. 4/9.

Frankly speaking, I don’t understand most of the text though it sounds good.

with too much knowledge for the sceptic’s side , with too much weakness for the stoic’s pride he hangs between ; in doubt to act or rest in doubt to deem himself a God or beast in doubt his mind or body to prefer born but to die , and reasoning but to err … created half to rise , and half to fall great lord of all things , yet a pray to all … Go, wondrous creature ! mount where science guides Go, measure Earth , weigh air, and state the tides instruct the planets in what orbs to run correct old time , and regulate the sun Go, soar with Plato to the empyreal sphere to the first good , first perfect , and first fair

An Essay on Man: Epistle III — Of the Nature and State of Man with Respect to Society. 4/9.

Although still, I don’t understand most of his poem, but I sense Alexander Pope want to preach about the enlightenment and it sounds indeed sonorous. thus then to man the voice of nature spake Go, from the creatures thy instructions take … here too all forms of social union find and hence let reason , late , instruct mankind

An Essay on Man: Epistle IV — Of the Nature and State of Man with Respect to Happiness. 5/9. interesting and genuine

shall then this verse to future age pretend thou wert my guide , philosopher and friend ? from sounds to things , from fancy to art for wits’ false mirror held up nature’s light showed erring pride , whatever is, is right that reason , passion , answer a great aim that true self-love and social are the same that virtue only makes our bliss below and all our knowledge is, ourselves to know

In An Essay on Man: The Design, Pope claimed his aim of writing these epistles was to open the fountains and clear the passages, this philosophical poem is indeed a moving endeavour.

An Ode: 6/9.

What constitutes a state? not high raised battlement or laboured mound thick wall or moated gate not cities proud with spires and turrets crowned … There constitute a state, and sovereign law, that state’s collected will Over thrones and globes elate, sits empress, crowning good, repressing ill

An Ode to Himself: 3/9.

And Shall Trelawny Die?: 3/9.

And Ye Shall Walk in Silk Attire: ?/9. incomprehensible

Andrea Del Sarto: ?/9. It doesn’t even rhyme.

Annabel Lee: 3/9.

Answer: 6/9.

Anthem For Doomed Youth: 6/9.

Anthony’s ‘Let Slip the Dogs of War’ Speech (Julius Caesar): 1/9. Why did this Shakespeare’s poem without rhyme go viral in the past?

Anxiety: 2/9. if you don’t want to completely rhyme, at least you should write clearer, or just align.

Arcite’s ‘Let’s Think this Prison Holy Sanctuary’ Speech (The Two Noble Kinsmen): 2/9.

Ask Me No More: 4/9.

Aspatia’s Song: 6/9.

my love was false but I was firm from my hour of birth upon my buried body lie lightly , gentle Earth!

Astrophel and Stella I: Loving in Truth: 2/9.

At Castle Boterel: 5/9.

At the Mid Hour of Night: 4/9.

Auguries of Innocence: 4/9. bizarre

a truth that’s told with bad intent beats all the lies when can invent … we are led to believe a lie when we see not through the eye

Auld Lang Syne: 4/9. Classical song

Auld Robin Gray: ?/9. incomprehensible

Aurora Leigh: First Book.. ?/9. blank verse

Baby: 6/9. cute

Babylon; Or, The Bonnie Banks o Fordie: 4/9. A robber found the girl he intended to rape was his own sister and hence committed suicide. DRAMA.

Barbara: 5/9.

Barbara Frietchie: 5/9. The eponym is thought to be the heroine of the American civil war.

Barclay of Ury: 0/9.

Barthram’s Dirge: 0/9.

Battle of the Baltic: 0/9.

Battle with Turnus: Book XII: 0/9.

Bavarian Gentians: 0/9.

Be Not Sad: 0/9.

Be Your Words Made, Good Sir, of Indian Ware: 0/9.

Beachy Head.: 0/9.

Beat! Beat! Drums!: 0/9.

Beauty: 0/9.

Beauty Bathing: 0/9.

Beauty, Time, and Love Sonnets: 0/9.

Because I could not stop for Death (712): 0/9.

Belief: 0/9.

Bewick and Grahame: 0/9.

Beyond the Veil: 0/9.

Bid Adieu to Maidenhood: 0/9.

Black-Eyed Susan: 0/9.

Blow, Bugle, Blow: 0/9.

Boadicea: An Ode: 0/9.

Bonnie George Campbell: 0/9.

Bonny Barbara Allan: 0/9.

Bonny Dundee: 0/9.

Border Ballad: 0/9.

Boston Hymn: 0/9.

Brahma: 0/9.

Break, Break, Break: 0/9.

Butterfly: 0/9.

By the Sea: 0/9.

Ca’ the Yowes to the Knowes: 0/9.

Call for the Robin-Redbreast: 0/9.

Captain Car: 0/9.

Celia: 0/9.

Character of a Happy Life: 0/9.

Character of the Happy Warrior: 0/9.

Charlie Is My Darling: 0/9.

Cheer Up, My Mates: 0/9.

Cherry-ripe: 0/9.

Cherry-Ripe: 0/9.

Chevy Chase: 0/9.

Childe Harold’s Pilgrimage: Canto the First: 0/9.

Children: 0/9.

Chloris: 0/9.

Chorus from ‘Atalanta’: 0/9.

Christabel: 0/9.

Christabel: Part the First. 0/9.

Christabel: Part the Second. 0/9.

Cliff Klingenhagen: 0/9.

Cloe: 0/9.

Cold’s the Wind: 0/9.

Come Under My Plaidie: 0/9.

Complaint of the Absence of Her Lover Being upon the Sea: 0/9.

Composed at Neidpath Castle, the Property of Lord Queensberry: 0/9.

Concerning the Philosophers Stone: 0/9.

Concord Hymn: 0/9.

Confessio Amantis: Incipit Liber Primus. 0/9.

Connent: 0/9.

Content and Resolute: 0/9.

Contentment: 0/9.

Corinna to Tanagra, from Athens: 0/9.

Corinna’s Maying: 0/9.

Coronach: 0/9.

Country Glee: 0/9.

Crabbed Age and Youth: 0/9.

Cristina: 0/9.

Crossing the Bar: 0/9.

Cupid and Campaspe: 0/9.

Darkness: 0/9.

Datur Hora Quieti: 0/9.

Dawn Song: 0/9.

Days: 0/9.

Dear Heart Why Will You Use Me So?: 0/9.

Death: 0/9.

Death Stands Above Me: 0/9.

Dedication of the Ring and the Book: 0/9.

Dejection: an Ode: 0/9.

Departure: 0/9.

Description of Paradise: Paradise Lost Book IV: 0/9.

Desideria: 0/9.

Diaphenia: 0/9.

Dido’s Appeal to Aeneas and Her Death: Book IV: 0/9.

Dirce: 0/9.

Dirge of Love: 0/9.

Disabled: 0/9.

Do You Remember Me?: 0/9.

Don Juan: Canto the First: 0/9.

Dover Beach: 0/9.

Dover Cliffs: 0/9.

Dreams: 0/9.

Drinking: 0/9.

Drinking Song: 0/9.

Drummer Hodge: 0/9.

Dulce Et Decorum Est: 0/9.

Easter: 0/9.

Easter Song: 0/9.

Ecce Puer: 0/9.

Echo: 0/9.

Eclogue I: 0/9.

Eclogue III: 0/9.

Eclogue X: 0/9.

Edmund’s ‘Now Gods Stand Up for Bastards’ Speech (King Lear): 0/9.

Edward: 0/9.

Eighteenth Sonnet: 0/9.

Eighty-seventh Sonnet: 0/9.

Elegy: 0/9.

Elegy on Thyrza: 0/9.

Elegy Written in a Country Churchyard: 0/9.

Eleu Loro: 0/9.

Elizabeth of Bohemia: 0/9.

Endymion Book I.: 0/9.

England and Switzerland: 0/9.

England, My England: 0/9.

Enid’s Song: 0/9.

Epigram: 0/9.

Epilogue: 0/9.

Epistle to Augusta: 0/9.

Epitaph on Charles II: 0/9.

Epitaph on Elizabeth L: H.. 0/9.

Epithalamion: 0/9.

Epode: 0/9.

Ethiopia Saluting the Colors: 0/9.

Evangeline: 0/9.

Evelyn Hope: 0/9.

Evil Be Thou My Good Extract: Paradise Lost Book IV: 0/9.

Exposure: 0/9.

Faerie Queene: Book I: The Legend of the Knight of the Red Crosse. Canto I. 0/9.

Fair Ines: 0/9.

Fair Is My Love: 0/9.

Faith is a fine invention: 0/9.

Famous Description of Cleopatra on the Barge (Anthony and Cleopatra): 0/9.

Fancy: 0/9.

Fare Thee Well: 0/9.

Farewell, Rewards and Fairies: 0/9.

Fidele: 0/9.

Fidele’s Dirge: 0/9.

Fifty-fifth Sonnet: 0/9.

Fifty-fourth Sonnet: 0/9.

Fifty-seventh Sonnet: 0/9.

Flower in the Crannied Wall: 0/9.

Follow thy Fair Sun: 0/9.

Follow your Saint: 0/9.

Footsteps of Angels: 0/9.

For an Epitaph at Fiesole: 0/9.

For Annie: 0/9.

For Lack of Gold: 0/9.

For Music: 0/9.

For the Magdalene: 0/9.

Fortune Befirends the Bold: Book X: 0/9.

Fra Lippo Lippi: 0/9.

Freedom and Love: 0/9.

Futility: 0/9.

Gathering Song of Donald the Black: 0/9.

Gaunt’s ‘This England’ Speech (Richard II): 0/9.

Genius in Beauty: 0/9.

Georgic I: 0/9.

Georgic IV: 0/9.

Get Up and Bar the Door: 0/9.

Gifts: 0/9.

Give All to Love: 0/9.

Give Me More Love: 0/9.

Give Me the Splendid Silent Sun: 0/9.

Glengariff: 0/9.

Gloomy Winter’s Now Awa’: 0/9.

Go, Lovely Rose!: 0/9.

Goblin Market: 0/9.

Good-Bye: 0/9.

Great Spirits Now on Earth Are Sojourning: 0/9.

Hame, Hame, Hame: 0/9.

Hamlet’s ‘To Be or Not to Be’ Speech: 0/9.

Handsome Nell: 0/9.

Hap: 0/9.

Happiness: 0/9.

Happy Insensibility: 0/9.

Harp of the North, Farewell!: 0/9.

He’s Ower the Hills That I Lo’e Weel: 0/9.

Heart’s Compass: 0/9.

Heart’s Hope: 0/9.

Heaven — is what I cannot reach!: 0/9.

Heaven has different Signs — to me: 0/9.

Hector’s Farewell of His Wife Andromache and Son: Book VI: 0/9.

Hellas: 0/9.

Henry V’s ‘Once More unto the Breach’ Speech: 0/9.

Her Gifts: 0/9.

Her Reply (Written by Sir Walter Raleigh): 0/9.

Heraclitus: 0/9.

Here’s a Health to King Charles: 0/9.

Heredity: 0/9.

Hester: 0/9.

Highland Mary: 0/9.

Hind Horn: 0/9.

His Pilgrimage: 0/9.

His Supposed Mistress: 0/9.

Hohenlinden: 0/9.

Holy Thursday: 0/9.

Home They Brought Her Warrior Dead: 0/9.

Home-thoughts, from Abroad: 0/9.

Home-thoughts, from the Sea: 0/9.

Hope is the thing with feathers: 0/9.

Horatian Ode upon Cromwell’s Return from Ireland: 0/9.

How Love Looked for Hell: 0/9.

How They Brought the Good News from Ghent to Aix [16 — ]: 0/9.

Hugh of Lincoln: 0/9.

Human Folly: 0/9.

Hunting Song: 0/9.

Hymn: 0/9.

Hymn Before Sunrise, in the Vale of Chamouni: 0/9.

Hymn of Pan: 0/9.

Hymn to Adversity: 0/9.

Hymn to Aphrodite: 0/9.

Hymn to Diana: 0/9.

Hymn to the Night: 0/9.

Hymn to the Spirit of Nature: 0/9.

I Fear Thy Kisses: 0/9.

I Know The Music: 0/9.

I Lo’ed Ne’er a Laddie but Ane: 0/9.

I Loved a Lass: 0/9.

If Doughty Deeds: 0/9.

In a London Square: 0/9.

In the Highlands: 0/9.

In the Round Tower at Jhansi: 0/9.

In the Valley of Cauteretz: 0/9.

In Time of ‘The Breaking of Nations’: 0/9.

In Time of Pestilence: 0/9.

Integer Vitae: 0/9.

Invictus: 0/9.

Invocation: 0/9.

Iphigeneia: 0/9.

Itylus: 0/9.

Jaques’ ‘All the World’s a Stage’ Speech (As You Like It): 0/9.

Jenny Kiss’d Me: 0/9.

Jerusalem: Chapter I.: 0/9.

Jessie, the Flower o’ Dunblane: 0/9.

Joan of Arc: The First Book.. 0/9.

Jock of Hazeldean: 0/9.

John Anderson My Jo: 0/9.

Johnie Armstrong: 0/9.

June: 0/9.

Key Passages from ‘The Odyssey’: 0/9.

Killed at the Ford: 0/9.

Kilmeny: 0/9.

Kinmont Willie: 0/9.

Know, Celia: 0/9.

Kubla Khan: 0/9.

La Belle Dame Sans Merci: 0/9.

Lament for Flodden: 0/9.

Lament of the Irish Emigrant: 0/9.

Laodamia: 0/9.

Last Lines: 0/9.

Last Sonnet: Bright Star! would I were steadfast as thou art: 0/9.

Lear and the Fool on the Heath (King Lear): 0/9.

Leda And The Swan: 0/9.

Lenore: 0/9.

Let Us Drink and Be Merry: 0/9.

Letty’s Globe: 0/9.

Life: 0/9.

Like as the Culver, on the Bared Bough: 0/9.

Lines: 0/9.

Lines to an Indian Air: 0/9.

Lines to Fanny: 0/9.

Liz: 0/9.

Lochinvar: 0/9.

Lock the Door, Lariston: 0/9.

Locksley Hall: 0/9.

Logie o’ Buchan: 0/9.

London, MDCCCII: 0/9.

London, September, 1855: 0/9.

Longing: 0/9.

Lord Thomas and Fair Annet: 0/9.

Lord Ullin’s Daughter: 0/9.

Loss of the Royal George: 0/9.

Love: 0/9.

Love Gregor: 0/9.

Love in Her Eyes Sits Playing: 0/9.

Love in the Valley: 0/9.

Love Thou Thy Land: 0/9.

Love Will Find Out the Way: 0/9.

Love’s Deity: 0/9.

Love’s Farewell: 0/9.

Love’s Omnipresence: 0/9.

Love’s Perjuries: 0/9.

Love’s Philosophy: 0/9.

Love’s Secret: 0/9.

Lover’s Infiniteness: 0/9.

Lovesight: 0/9.

Love-Sweetness: 0/9.

Lucy: 0/9.

Lucy Ashton’s Song: 0/9.

Lullaby: 0/9.

Lycidas: 0/9.

Macbeth’s ‘To-morrow’ Speech: 0/9.

Madrigal: 0/9.

Maid of Athens: 0/9.

Margaritæ Sorori: 0/9.

Mary Hamilton: 0/9.

Massachusetts to Virginia: 0/9.

Master Francis Beaumont’s Letter to Ben Jonson: 0/9.

Maud Muller: 0/9.

Maud: Part I. 0/9.

Maud: Part II. 0/9.

Melancholy: 0/9.

Memorabilia: 0/9.

Memorial Verses: 0/9.

Mental Cases: 0/9.

Michael: 0/9.

Mimnermus in Church: 0/9.

Miniver Cheevy: 0/9.

Modern Love: 0/9.

Morte d’Arthur: 0/9.

Mother, I Cannot Mind My Wheel: 0/9.

Mr: Flood’s Party. 0/9.

Music, When Soft Voices Die: 0/9.

My Dear and Only Love: 0/9.

My Garden: 0/9.

My Heart Leaps Up: 0/9.

My Heart’s In The Highlands: 0/9.

My Last Duchess: 0/9.

My Lost Youth: 0/9.

My Love Is in a Light Attire: 0/9.

My Mind to Me a Kingdom Is: 0/9.

My Mother Bids Me Bind My Hair: 0/9.

Nature and the Poet: 0/9.

Nature is what we see: 0/9.

Never the Time and the Place: 0/9.

Night: 0/9.

Ninetieth Sonnet: 0/9.

Ninety-eighth Sonnet: 0/9.

Ninety-fourth Sonnet: 0/9.

Ninety-seventh Sonnet: 0/9.

No, My Own Love: 0/9.

Now Sleeps the Crimson Petal: 0/9.

Nox Nocti Indicat Scientiam: 0/9.

Nurse’s Song: 0/9.

O Captain! My Captain!: 0/9.

O It Was Out by Donnycarney: 0/9.

O Mistress Mine: 0/9.

O Swallow, Swallow: 0/9.

O Sweet Content: 0/9.

Ode: 0/9.

Ode 1.5 Quis multa gracilis.: 0/9.

Ode I.11 Tu ne quaesieris: (‘The Carpe Diem Poem’). 0/9.

Ode III.2: Angustam amice. “It is sweet and honorable to die for one’s country.”. 0/9.

Ode on a Distant Prospect of Eton College: 0/9.

Ode on a Grecian Urn: 0/9.

Ode on Intimations of Immortality from Recollections of Early Childhood: 0/9.

Ode on Melancholy: 0/9.

Ode on the Pleasure Arising from Vicissitude: 0/9.

Ode on the Poets: 0/9.

Ode on the Spring: 0/9.

Ode Recited at the Harvard Commemoration: 0/9.

Ode to a Nightingale: 0/9.

Ode to Autumn: 0/9.

Ode to Duty: 0/9.

Ode to Psyche: 0/9.

Ode to the North-east Wind: 0/9.

Ode To the Pious Memory of the accomplished young lady, Mrs: Anne Killigrew, excellent in the two sister arts of Poesy and Painting. 0/9.