A story a day keeps Boring Fairy away.
This project by Animae-Magnae-Prodigus can be found on GitHub
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Principle
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A good reader becomes a commentator.
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A better reader becomes an author.
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A best reader becomes a philosopher.
Introduction
Here reside my notes and comments on books, offered to fellow bibliophiles who share the same reading predilections as me.
For me, the reason why science fiction move me so much is because some of the best of them could provide me with exotic situations, dramatic emotions, fabulous visions or marvelous solutions.
Some of the best of detective fiction also possess me with their plausible speculations in addition to the aforementioned qualities.
Rules
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The titles of my commenting posts follow the pattern of “Scores I gave to this work | Author Name - Work Name”.
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Spoiler Alert: For more details or reasons, go ahead the links. Don’t click the links of my notes below unless you want to read spoilers!
Specification on Scores
Scores are purely subjective based on my personal judgment and sentiment. They, of course, cannot really reflect objective evaluations of works. Usually, low scores just merely mean that I am not the author’s target readers.
| Score | Meaning |
|---|---|
| 0 | Crap |
| 1 | Terrible |
| 2 | Bad |
| 3 | Slightly Bad |
| 4 | So-so |
| 5 | Slightly Good |
| 6 | Good |
| 7 | Excellent |
| 8 | Master |
| 9 | Epic |
| ? | not finished, usually because I felt it’s not worth my precious time |
- Works rated less than four didn’t deserve my attention any more.
- Works rated no less than four deserved to be read at least once.
- Works rated more than six deserved to be reread and reviewed thoroughly.
on plots
| Score | Meaning |
|---|---|
| 0 | Is it a storyline rather than a crap, a laughingstock, a nightmare or an concrete evidence that AI is learning to write like humanity? |
| 2 | Are there any ups and downs in this story? |
| 4 | The conflict existing in this story is not good enough for me to appreciate, though it is indeed full-fledged. |
| 6 | The storyline of this work is engaging enough for me to resonate despite some conspicuous flaws or ugly scenes. |
| 9 | It’s hard to improve or surpass this epic at least in the publishing time. |
| ? | not finished, usually because I felt it’s not worth my precious time |
on cores
| Score | Meaning |
|---|---|
| 0 | Do you get this story? |
| 2 | The core was too bad to support an eligible story. |
| 4 | The core is common or the interpretation is ordinary but enough for the running of a eligible story. |
| 6 | The core was creative or the interpretation was innovative, but there exist some conspicuous imperfections in its implementation or execution. |
| 9 | It’s hard to improve or surpass this epic at least in the publishing time. |
| ? | not finished, usually because I felt it’s not worth my precious time |
on characters
| Score | Meaning |
|---|---|
| 0 | Are there any characters in this story? |
| 2 | The characters are too bad to support an eligible story. |
| 4 | The characters are common, mundane, boring, or idiotic, but they are good enough to blend into the story as a whole. |
| 6 | The characters are admirable, loveable, memorable or suitable to the story. |
| 9 | It’s hard to improve or surpass this epic, and it even attracts people to create fanfictions. |
| ? | not finished, usually because I felt it’s not worth my precious time |
on world
| Score | Meaning |
|---|---|
| 0 | I’m sure even AI would be better than the world-building of this story. |
| 2 | The world-building is too illogic, minimal, or inadequately presented to act in accordance with the story. |
| 4 | The world-building existing in this story is not good enough for me to appreciate, though it is indeed full-fledged. |
| 6 | The world-building of this work is engaging enough for me to scan albeit some possible loopholes. |
| 9 | It’s hard to improve or surpass this epic at least in the publishing time. |
| ? | not finished, usually because I felt it’s not worth my precious time |
advanced reading
- my criteria of an eligible science fiction writer
- my agenda of reading fiction hereafter
- the reason I read short stories even if sometimes I encounter the type I disliked
- blacklist of writers: I may block some writers eternally, if they wrote a work holding some elements I abhorred extremely—such as sexism or writing immaturity.
- whitelist of writers or the list of my favorite writers who I have read most of their works
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Review 7/9 | Suzanne Collins - The Hunger Games
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Review ?/9 | John Scalzi - Redshirts
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Review ?/9 | Adrian Tchaikovsky - Service Model
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Review ?/9 | Robert Jackson Bennett - The Tainted Cup
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Review 3/9 | Ben Bova - Fifteen Miles
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Review 8/9 | Kurt Vonnegut - Mother Night
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Review 6/9 | Kurt Vonnegut - Slaughterhouse Five
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Review 8/9 | Kurt Vonnegut - God Bless You, Mr. Rosewater
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Review 6/9 | R. F. Kuang - Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution
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Review ?/9 | Ned Beauman - Venomous Lumpsucker
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Review 5/9 | Martin MacInnes - In Ascension
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Review ?/9 | Sierra Greer - Annie Bot
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Review 4/9 | Martha Wells - System Collapse
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Review ?/9 | Delphi Classics - The World’s Greatest Poems: AN ANTHOLOGY
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Review 5/9 | Danya Kukafka - Notes on an Execution
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Review ?/9 | Emily Tesh - Some Desperate Glory
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Review ?/9 | Vajra Chandrasekera - The Saint of Bright Doors
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Review 4/9 | T. Kingfisher - A Sorceress Comes to Call
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Review 5/9 | Alexander Boldizar - The Man Who Saw Seconds
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Whitelist of Writers
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Blacklist of Writers
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Review 6/9 | James Lee Burke - Flags on the Bayou
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Review 4/9 | John Wiswell - Someone You Can Build a Nest in
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Review 3/9 | Alfred Bester - The Demolished Man
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Review 4/9 | Roger Zelazny - Nine Princes in Amber
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Review 6/9 | Roger Zelazny - Lord of Light
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Review ?/9 | Roger Zelazny - The Dream Master
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Review 3/9 | Roger Zelazny - He Who Shapes
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Review 2/9 | Roger Zelazny - The Doors of His Face, the Lamps of His Mouth
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Review 5/9 | Roger Zelazny - ...And Call Me Conrad or This Immortal
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Review 3/9 | Ward Moore - Lot
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Review 2/9 | Eric Russell - Sole Solution
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Review 4/9 | Clifford Simak - Skirmish
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Why should I choose reading short story of variegated qualities instead of full-fledged novels?
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Review ?/9 | Brian Aldiss - A Science Fiction Omnibus
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Review 4/9. | James Blish - Star Trek 1
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Review ?/9 | Isaac Asimov - The Casebook Of The Black Widowers
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Review 5/9 | Isaac Asimov - More Tales of the Black Widowers
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Review 5/9 | Isaac Asimov - Tales of the Black Widowers
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Review 5/9 | James White - Sector General 1: Hospital Station
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Review 7/9 | Andy Weir - The Martian
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A confession of my criticism in the past and the decision of suspending the project of reviewing the Big Book of Science Fiction
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Review 3/9 | R. S. A. Garcia - Tantie Merle and the Farmhand 4200
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Review 4/9 | Andy Weir - The Egg
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Review 2/9 | Jon Bing - The Owl of Bear Island
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Becoming a science fiction writer is no easy feat.
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Review 2/9 | Angélica Gorodischer - The Unmistakable Smell of Wood Violets
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Review 3/9 | Karen Joy Fowler - The Lake Was Full of Artificial Things
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Review 5/9 | Ryan Reynolds, Rhett Reese, Paul Wernick, Zeb Wells, Shawn Levy - Deadpool & Wolverine
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Review 4/9 | John Crowley - Snow
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Review 3/9 | Roger Zelazny - A Rose for Ecclesiastes
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Review 5/9 | C. J. Cherryh - Pots
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Review 3/9 | William Gibson - New Rose Hotel
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Review 6/9 | S. N. Dyer - Passing as a Flower in the City of the Dead
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Review 3/9 | Pat Cadigan - Variation on a Man
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Review 6/9 | Octavia E. Butler - Bloodchild
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Review 5/9 | Greg Bear - Blood Music
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Review 7/9 | aldora89 - The Lotus Eater
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Review 1/9 | Jacques Barbéri - Mondocane
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Review 4/9 | Kajio Shinji - Reiko’s Universe Box
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Review 6/9 | Bruce Sterling - Swarm
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Review 4/9 | Lisa Tuttle - Wives
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Review 3/9 | Josephine Saxton - The Snake Who Had Read Chomsky
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Review 7/9 | George R. R. Martin - Sandkings
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Review 5/9 | Barrington J. Bayley - Sporting with the Chid
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Review 3/9 | Michael Bishop - The House of Compassionate Sharers
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Review 5/9 | Yasutaka Tsutsui - Standing Woman
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Review 3/9 | Alicia Yánez Cossío - The IWM 1000
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Review 7/9 | Dmitri Bilenkin - Where Two Paths Cross
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Review 3/9 | Robert Silverberg - Good News from the Vatican
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Review 4/9 | Joanna Russ - When It Changed
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Review 4/9 | James Tiptree Jr. - And I Awoke and Found Me Here on the Cold Hill’s Side
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Review 4/9 | Ursula K. Le Guin - Vaster Than Empires and More Slow
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Review 4/9 | David R. Bunch - Three from Moderan
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Review 5/9 | Yoshio Aramaki - Soft Clocks
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Review 6/9 | Sever Gansovsky - Day of Wrath
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Review 4/9 | Samuel R. Delany - Aye, and Gomorrah
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Review 1/9 | R. A. Lafferty - Nine Hundred Grandmothers
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Review 3/9 | Langdon Jones - The Hall of Machines
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Review 2/9 | John Baxter - The Hands
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Review 3/9 | Frederik Pohl - Day Million
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Review 5/9 | F. L. Wallace - Student Body
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Review 5/9 | André Carneiro - Darkness
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Review 2/9 | Vadim Shefner - A Modest Genius
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Review 3/9 | Adolfo Bioy Casares - The Squid Chooses Its Own Ink
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Review 3/9 | Will Worthington - Plenitude
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Review 1/9 | Silvina Ocampo - The Waves
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Review 4/9 | J. G. Ballard - The Voices of Time
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Review 2/9 | Gérard Klein - The Monster
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Review 2/9 | Carol Emshwiller - Pelt
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Review 2/9 | Damon Knight - Stranger Station
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Review 5/9 | Arkady and Boris Strugatsky - The Visitors
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Review 2/9 | Cordwainer Smith - The Game of Rat and Dragon
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Review 3/9 | Chad Oliver - Let Me Live in a House
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Review 6/9 | Arthur C. Clarke - The Star
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Review 3/9 | Margaret St. Clair - Prott
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Review 2/9 | Juan José Arreola - Baby HP
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Review 6/9 | James Blish - Surface Tension
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Review 6/9 | Clifford D. Simak - Desertion
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Review 5/9 | Jorge Luis Borges - Tlön, Uqbar, Orbis Tertius
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Review 5/9 | Paul Ernst - The Microscopic Giants
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Review 1/9 | A. Merritt - The Last Poet and the Robots
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Review 3/9 | Harlan Ellison - “Repent, Harlequin!” Said the Ticktockman
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Review 3/9 | Kurt Vonnegut Jr. - 2 B R 0 2 B
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Review 5/9 | Isaac Asimov - The Last Question
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Review 8/9 | James H. Schmitz - Grandpa
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Review 7/9 | William Tenn - The Liberation of Earth
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Review 3/9 | Katherine MacLean - The Snowball Effect
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Review 4/9 | Isaac Asimov - The Acquisitive Chuckle
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Review 5/9 | Isaac Asimov - Ph as in Phony
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Review 2/9 | Philip K. Dick - Not By Its Cover
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Review 6/9 | Philip K. Dick - Beyond Lies the Wub
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Review 6/9 | Theodore Sturgeon - The Man Who Lost the Sea
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Review 5/9 | Ray Bradbury - September 2005: The Martian
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Review 6/9 | Stanisław Lem - Let Us Save the Universe
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Review 8/9 | James White - Sector General
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Review 9/9 | Stanley G. Weinbaum - A Martian Odyssey
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Review 2/9 | Leslie F. Stone - The Conquest of Gola
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Review 4/9 | Edmond Hamilton - The Star Stealers
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Review 1/9 | Clare Winger Harris - The Fate of the Poseidonia
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Review 3/9 | Miguel de Unamuno - The Doom of Principle City
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Review 3/9 | W. E. B. Du Bois - The Comet
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Review 3/9 | Rokheya Shekhawat Hossain - Sultana’s Dream
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Review 1/9 | Paul Scheerbart - The New Overworld
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Review 3/9 | Miguel de Unamuno - Mechanopolis
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Review 5/9 | Karl Hans Strobl; Gio Clairval - The Triumph of Mechanics
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Review 0/9 | Alfred Jarry - Elements of Pataphysics
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Review 8/9 | Stanisław Lem; Bill Johston - Solaris
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Review 4/9 | H. G. Wells - The Star
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Review 2/9 | Robert Silverberg, Isaac Asimov - Nightfall
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Review 6/9 | Isaac Asimov - Nightfall
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Review 4/9 | Valentina Zhuravlyova - The Astronaut
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Review 2/9 | Ian R. MacLeod - The Visitor From Taured
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Review 1/9 | Kelly Robson - The Three Resurrections of Jessica Churchill
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Review 4/9 | Martin L. Shoemaker - Today I Am Paul
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Review 4/9 | Martha Wells - Rouge Protocol (The Murderbot Diaries #3)
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Review 3/9 | Martha Wells - Compulsion (The Murderbot Diaries #0.5)
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Review 2/9 | Martha Wells - Artificial Condition (The Murderbot Diaries #2)
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4/9 | Martha Wells - All Systems Red (The Murderbot Diaries #1)